Ramona Mosse is a dramaturg and a professor of English and Comparative Literature at Bard College Berlin. She received an M.A. (Honours) in English Literature from Edinburgh University, where she studied classics, literature, and philosophy. She earned a Ph.D. (with distinction) in English and Comparative Literature from Columbia University with a dissertation on tragedy and utopia in Cold War culture. Ramona has taught at Columbia University, Barnard College, and the Freie Universität Berlin.

Previously, she was a Fellow at the International Research Center for Interweaving Performance Cultures at the Freie Universität Berlin and, more recently, a Principles of Cultural Dynamics Fellow at the Humanities Center at Johns Hopkins University. Her work has been published in Anglia, Theater Journal, THEWIS, Performance Philosophy Journal, and The Baffler, among others. Ramona is also a Core Convenor of the Performance Philosophy Network. You can contact her r.mosse@berlin.bard.edu

Nina Tecklenburg is an artist-scholar and professor of Theater and Performance at Bard College Berlin. As a co-deviser, performer and dramaturg, she has realized numerous performance and theater projects with Gob Squad, She She Pop, Lone Twin Theatre, Baktruppen, Rabih Mroué, and Interrobang of which she is a founding member. She received her Ph.D. in Theatre Studies at Freie Universität Berlin in 2012. In 2017-18 she held a guest professorship at Ernst Busch Academy of Dramatic Arts Berlin.

Her artistic and academic research interests include theater and digitality, game theater, new narrative practices in contemporary performance, politics of participation, performance activism, and autoethnographic performance practice. She is a member of the research project Viral Theatres, funded by the Volkswagen Stiftung. She has published in The Drama Review, Theatre Research International, Performance Research, and Didaskalia and is the author of Performing Stories: Narrative as Performance (transcript 2014; English translation: Seagull Books 2022). You can reach her at n.tecklenburg@berlin.bard.edu

Miriam Felton-Dansky is Associate Professor of Theater and Performance and director of Bard College's undergraduate Theater and Performance Program. Her research and teaching interests include experimental and avant-garde performance, the politics of attention and spectatorship, and theater in the digital age. Her book Viral Performance: Contagious Theaters from Modernism to the Digital Age was published by Northwestern University Press in 2018.

Her articles and essays have appeared in publications such as Theatre Survey, Theatre Journal, Theater, PAJ, ASAP/J, and Artforum.com, and she was a theater critic for the Village Voice from 2009 to 2018. She is a regular cohost of the On Tap theater and performance studies podcast, and a contributing editor for Theater, where she guest coedited the "Digital Dramaturgies" trilogy (2012–18). You can contact her at mdansky@bard.edu

Sanjay Kumar, Lecturer at CAW and Visiting Lecturer at the Department of History, teaches Academic Writing in the Departments of Gender Studies, Public Policy, Nationalism Studies, and Research and Thesis Writing for Graduate and Doctoral students of Legal Studies since 2010. Sanjay holds a Ph.D. in English Literature from the Indian Institute of Technology (IIT) Delhi. He has twenty years of university teaching experience in courses related to English language, Literature, and Culture, Effective Communication Skills, and Linguistics, in national technical universities and premier business schools in India.

Sanjay is the founder and convener of the CEU South Asian Studies Research (SARG) research group. He piloted a theatre course and workshop for the refugee students in the CEU Olive program leading to a Humanities Initiative-funded practice-oriented course Building Narratives-Self Expression through Literature, Art and Performance in 2017. You can contact him at kumars@ceu.edu

Multidisciplinary artist, teacher, and theoretician, Carmen Gil Vrolijk works in the Art Department of the Universidad de los Andes as an associate professor, where she directs the Master's Degree in Fine, Electronic media, and Time Arts. Carmen has been working on multimedia projects since the late 1990s.

Her interests are focused on the use of live video, especially in performing arts, monumental projections, media archaeology, expanded narratives, and poetics of technology and she works in experimental and immersive formats. She has been the curator of Voltage Salon of Art and Technology since 2014. In addition, her work has been presented in the Americas, Asia, and Europe. You can reach her at cgil@uniandes.edu.co

Dr Myer Taub is the award winning South African academic, multi-disciplinary artist, innovator who wrote the one-woman play called “Florence” which premiered to critical acclaim at the Market Theatre, Johannesburg, South Africa, in August 2018. He was formerly a Senior Lecturer in the Drama Department at the University of Pretoria, where he taught theatre studies and performance studies for five years. Presently he is appointed as a lecturer in the Department of Theatre and Performance (TAP) in the Wits School of the Arts, University of Witwatersrand, Johannesburg, where he has been teaching for the last three years.

His post graduate cohort includes research engaged with transdisciplinary performance practices and cultural policy. Some of his most recent professional works include: ‘Passages2” for (DIS)Infecting The City Festival & ICA Cape Town (2021) “walkism” for Jozi Walks Festival, Johannesburg, (2020), and “messy Archives” for 1 Shanti Road, Bangalore (2019) among others. He is producing an eight- ten volume series for Routledge on themes associated with wild zones. The first volume in the series: Forests&Fences is currently in production. You can reach him at myer.taub@wits.ac.za

Lewis Church teaches the BA Theatre & Drama, BA Theatre Studies & English, MA Text and Performance, and MA Dramaturgy programs at Birkbeck, University of London. He has been part of the department since 2018 and has previously taught at Queen Mary University of London, Edinburgh University, and the Royal Central School of Speech and Drama. He received his Ph.D. in Drama from the University of London in 2017. His research has been published in PAJ, The First Line, and Punk & Post-Punk. As an artist, dramaturg, and producer he has worked with Ron Athey, Vaginal Davis, Franko B, Stacy Makishi, Sh!t Theatre, and other contemporary performance makers, and as a writer at venues and festivals across the UK, Europe, and Australia. You can contact him at l.church@bbk.ac.uk